It's A Keeper
It used to be that as I drove along the highways of America, I would glance down the exit ramps in the industrial parts of town and wonder what in the world people were putting into storage lockers. In the past ten years, storage facilities seem to have popped up with fairly alarming frequency all over our country, a pretty good indication that we have too much stuff and too much attachment to our stuff.
I have never been a “stuff” person. I have moved across the country multiple times with two cats and all of my belongings, most of which are books, piled into a Honda Civic. Before each move, I held an “Everything Must Go” sale where I hawked nearly everything I had collected in my last residence – from large-screen TVs to sheet sets to pots and pans.
I’ve never saved a love letter. I’ve never even watched the video of my own wedding, and now that I think of it, I’m not even sure I know where it is. My anti-stuff crusade is not so much about not caring; it’s more about being practical and meeting my needs. If something is of use, I keep it. If it’s not of use, it gets tossed in the garbage or is given away.
My reputation as being unapologetically unsentimental precedes me. My parents, who recently adjusted their will to reflect that my 34 year-old brother and I no longer need my uncle and his first wife (who he divorced in the mid 1970s) to care for us in case something happens to them, named my brother to be executor of their estate.
“We named your brother executor because…” my dad paused.
“Because he won’t sell everything off before you’re cold in the ground?” I asked him.
“Well, uh, yes,” my dad said.
But then I had my own kids.
Giving birth did not scramble my brain so much that I instantly became one of those people who saves everything kid-related and keeps a well-documented list of activities and achievements. I have a video camera, but I think I’ve used it twice. The batteries ran out and I never re-charged it. I’m always the parent at pre-school who forgets my camera. And I have absolutely no idea when either of my kids took their first steps or said their first words, though I remember each of those moments very clearly.
I keep no baby books and I only have some haphazardly arranged photos of the first three months of my eldest son’s life in a photo album. The remaining four-plus years of Mike’s life and all of Peter’s life have been preserved in their digital glory at Snapfish.
So what hard-copy documents of my boys’ existences do I have?
I have every art project that either of my kids has ever created.
Actually “art” project is a bit of a misnomer. I have kept every scribble, every finger-painting, every attempt at glue-usage, every sticker-collage, and every piece of macaroni jewelry they have ever made.
I justify this by saying to myself, “You never know which social occasion will call for that enriched macaroni crown” or “Look – you can actually kind of make out that he was trying to draw a horse. Or is that a rocket?” or “Someday, I’ll be able to give this all to him so that he can provide it to the library that will keep his papers after he’s famous.”
But really. My eldest son has the fine motor skills of a one-armed drunk and deranged octopus. This means that his definition of cutting involves holding onto scissors and tearing the paper with his other hand. His artistic philosophy seems to include a “more is more” theory, so that all of his finger paintings and glued projects take approximately 17 days to dry, leaving the paper the texture of potato chips. His lettering and drawings are indecipherable; even the most top-notch code-cracker or pre-school teacher would have a difficult time deciding if his letter F was an F or a drawing of a gorilla.
Still, I can’t bring myself to throw any of it away. I’m not sure why it’s the art projects I save. Truthfully, I hate doing art projects with them and I possess not a single fond memory of gluing, cutting, or coloring. I’d like to think that it’s because my sons would be devastated if they saw one of their creations in the garbage bin. But, just the other day, Peter tore a pumpkin Mike had made in half and then dumped it in the trash.
“Peter! Don’t do that! That’s Mikey’s art project!” I admonished.
“Mom, relax,” Mike said. “It’s just a pumpkin made out of construction paper.”
True, but I could have added that to my stash. After all, I’ve got bins of scribbled-on paper in my basement and stacks of various popsicle art projects piled up on my desk. My collection will not be complete without a now-torn-in-half construction paper pumpkin that is shaped like a triangle and has strips of construction paper haphazardly glued to its mouth to represent drool.
I feel a little like those crazy people who appear on animal rescue shows, blinking in the light as they looked dazed and confused and tell the officers, “I don’t know what happened. I only had two cats. And then suddenly, I had 943.”
It won’t be long before I’ll have to rent one of those storage lockers myself, driving to it with my trunk loaded down with glitter-glued puff balls and alphabet artwork with misshapen and backwards e’s and q’s. If we ever move, I’ll have to rent a pull-behind trailer just for the boys’ art projects. And by the time they finish college, I will probably have expanded to the largest possible storage locker and it will be piled high with bins of noodle necklaces, Christmas ornaments made from yarn and glitter, and first-rate finger painting.
If anything ever happens to me and someone other than my husband has to go through my stuff, they will probably find themselves saying, “Well, we can’t find a single picture of her kids, but she does have an impressive collection of scrap paper carefully put into bins.”
It used to be that as I drove along the highways of America, I would glance down the exit ramps in the industrial parts of town and wonder what in the world people were putting into storage lockers. In the past ten years, storage facilities seem to have popped up with fairly alarming frequency all over our country, a pretty good indication that we have too much stuff and too much attachment to our stuff.
I have never been a “stuff” person. I have moved across the country multiple times with two cats and all of my belongings, most of which are books, piled into a Honda Civic. Before each move, I held an “Everything Must Go” sale where I hawked nearly everything I had collected in my last residence – from large-screen TVs to sheet sets to pots and pans.
I’ve never saved a love letter. I’ve never even watched the video of my own wedding, and now that I think of it, I’m not even sure I know where it is. My anti-stuff crusade is not so much about not caring; it’s more about being practical and meeting my needs. If something is of use, I keep it. If it’s not of use, it gets tossed in the garbage or is given away.
My reputation as being unapologetically unsentimental precedes me. My parents, who recently adjusted their will to reflect that my 34 year-old brother and I no longer need my uncle and his first wife (who he divorced in the mid 1970s) to care for us in case something happens to them, named my brother to be executor of their estate.
“We named your brother executor because…” my dad paused.
“Because he won’t sell everything off before you’re cold in the ground?” I asked him.
“Well, uh, yes,” my dad said.
But then I had my own kids.
Giving birth did not scramble my brain so much that I instantly became one of those people who saves everything kid-related and keeps a well-documented list of activities and achievements. I have a video camera, but I think I’ve used it twice. The batteries ran out and I never re-charged it. I’m always the parent at pre-school who forgets my camera. And I have absolutely no idea when either of my kids took their first steps or said their first words, though I remember each of those moments very clearly.
I keep no baby books and I only have some haphazardly arranged photos of the first three months of my eldest son’s life in a photo album. The remaining four-plus years of Mike’s life and all of Peter’s life have been preserved in their digital glory at Snapfish.
So what hard-copy documents of my boys’ existences do I have?
I have every art project that either of my kids has ever created.
Actually “art” project is a bit of a misnomer. I have kept every scribble, every finger-painting, every attempt at glue-usage, every sticker-collage, and every piece of macaroni jewelry they have ever made.
I justify this by saying to myself, “You never know which social occasion will call for that enriched macaroni crown” or “Look – you can actually kind of make out that he was trying to draw a horse. Or is that a rocket?” or “Someday, I’ll be able to give this all to him so that he can provide it to the library that will keep his papers after he’s famous.”
But really. My eldest son has the fine motor skills of a one-armed drunk and deranged octopus. This means that his definition of cutting involves holding onto scissors and tearing the paper with his other hand. His artistic philosophy seems to include a “more is more” theory, so that all of his finger paintings and glued projects take approximately 17 days to dry, leaving the paper the texture of potato chips. His lettering and drawings are indecipherable; even the most top-notch code-cracker or pre-school teacher would have a difficult time deciding if his letter F was an F or a drawing of a gorilla.
Still, I can’t bring myself to throw any of it away. I’m not sure why it’s the art projects I save. Truthfully, I hate doing art projects with them and I possess not a single fond memory of gluing, cutting, or coloring. I’d like to think that it’s because my sons would be devastated if they saw one of their creations in the garbage bin. But, just the other day, Peter tore a pumpkin Mike had made in half and then dumped it in the trash.
“Peter! Don’t do that! That’s Mikey’s art project!” I admonished.
“Mom, relax,” Mike said. “It’s just a pumpkin made out of construction paper.”
True, but I could have added that to my stash. After all, I’ve got bins of scribbled-on paper in my basement and stacks of various popsicle art projects piled up on my desk. My collection will not be complete without a now-torn-in-half construction paper pumpkin that is shaped like a triangle and has strips of construction paper haphazardly glued to its mouth to represent drool.
I feel a little like those crazy people who appear on animal rescue shows, blinking in the light as they looked dazed and confused and tell the officers, “I don’t know what happened. I only had two cats. And then suddenly, I had 943.”
It won’t be long before I’ll have to rent one of those storage lockers myself, driving to it with my trunk loaded down with glitter-glued puff balls and alphabet artwork with misshapen and backwards e’s and q’s. If we ever move, I’ll have to rent a pull-behind trailer just for the boys’ art projects. And by the time they finish college, I will probably have expanded to the largest possible storage locker and it will be piled high with bins of noodle necklaces, Christmas ornaments made from yarn and glitter, and first-rate finger painting.
If anything ever happens to me and someone other than my husband has to go through my stuff, they will probably find themselves saying, “Well, we can’t find a single picture of her kids, but she does have an impressive collection of scrap paper carefully put into bins.”



